The 3 Most Under-Rated Artists in the Music Industry Today

As time keeps rolling on, the music industry continues to grow and conform to the computerized talent in which has consumed the industry today. It seems as if the more money made in the music world today, the less genuine talent the artists have. Noticing the Top 10 hits of iTunes in the past 10 years, the list is filled with rap stars and computerized musicians that have no talent other than how to work a simple music production program. The fact is that music has taken a turn down an uncharted road that is filled with technology and mediocrity.

Although music today is not what it used to be, there are still some artists that write for the sole purpose of fulfilling their love of music and expressing themselves in a genuine, passionate way. Most of the artists that still write and perform with bona fide expression and fulfillment are the most under-rated artists in the music world today. The artists that have an authentic talent and love for music should not be pushed to the bottom of the charts by the average artists of today’s music. Instead, they should be winning the Grammy and the American Music Awards instead of the “musicians” of today.

The top three under-rated artists are just a couple of many that deserve recognition for not conforming to the industry’s top ten guidelines nowadays. These artists also deserve the greatest thanks and applause for their unique sounds and expressive works of art.

3. Gavin Degraw

Gavin has been in the industry since 2003 with his album Chariot and has only received one Top Ten listing of his song “I Don’t Want to Be” at number 10 in 2004. This same song was chosen as the theme song for the television drama series, One Tree Hill. His brilliant work has never broken the Top Ten and continues to stay below the rap stars and electricians that run the music industry’s top songs today. Gavin also released a strictly acoustic album of his album Chariot, called Chariot Stripped, which showed that he can rise above the production of music and editing of tracks and release genuine, heartfelt music. In August 2011, Gavin was attacked by some people on the streets of New York City and was hit by a taxi shortly after. He was forced to cancel one of his performances and push back the release date of his new album Sweeter. But, sure enough, Gavin returned to the music scene to keep delivering works of art to the music world and kept performing. Now that’s passion!

2. Sara Bareilles

Like Gavin, Sara has been in the music industry for quite some time now. She screams passion and love for what she does. She began her recording career back in 2004, but with little success. Success did not come until the release of her album Little Voices. She finally worked her way in to the Top Ten with her mainstream hit, “Love Song”. Even though the hit reached the number one spot on the list, Sara is still one of the most under-rated artists of today. Her performances glow with affection because she loves what she does and does it with perfection. Her style is unlike anyone else in the industry. As a pianist and extraordinary vocalist, Sara expresses herself in such a unique and talented way with her angelic voice and beautiful plucking of the keys. With no Grammy awards under her belt, it is surprising to see such talent not be rewarded for her exceptional talent. Sara currently stars as a judge on the TV show The Sing Off while she keeps writing and performing to her heart’s desire.

1. Jason Mraz

Jason, after several years of recording and producing his expertly crafted music, finally received his first Top Ten hit in 2008 with “I’m Yours”.Only one Top Ten hit in almost 10 years of recording with such unique style? Unbelievable. With such an extraordinary tenor voice, Mraz is without a doubt the most under-rated artist of today. His music gives his listeners a taste of a huge variety of different genres ranging from reggae to jazz, and all the way to some country and hip-hop. One can consider Mraz music to be its own genre of music. Starting with Waiting for My Rocket to Come, Mraz introduces his fans to his style right away. Going from pop to country, all the way to reggae in his first album, Mraz burst onto the scene with his unique style. With 4 live albums, Mraz remains one of the best live performers in the industry today. Performing live is the ultimate test for any musician, and Mraz excels with ease at entertaining his fans with beautifully crafted music accompanied by an angelic tenor range and a strikingly skilled guitar. Mraz breathes originality and passion in his words and his music, making him the most lively and uniquely talented musicians in the industry today.

How to Make the Right Contacts in the Music Industry

Many musicians are aware that making the right music industry contacts is highly important for achieving a successful music career. The problem is that, most musicians really don’t know ‘who’ the right music industry contacts are, where to find them, how to actually transform a ‘first contact’ into a meaningful relationship, and what ‘having the right music industry connections’ really means.

If I gave you my complete list of music industry contacts (key industry people I have established relationships with over the last 20 years), do you think it would help you develop a successful music career?… NO! Why? Because a mere ‘contact’ is not worth anything. Music industry contacts need to become meaningful music industry connections. Meaningful connections are developed by building good relationships… More on this later…

However, even if you have good relationships with the right people, this won’t help you until and unless you work on having the right things in place which enables your industry contacts to feel confident enough to work with you.

So, who are the music industry people you should be contacting?… And when you get through to someone, what do you say to him/her? How can you make these important people pay attention to you if you don’t yet have a ‘name’ in the music business?

Let’s explore the first question “Who are the music industry people you should be contacting?” To answer this, you need to ask a series of other questions such as:

• Who are some contacts who have great influence and ability to help your career develop further?

• Who are the contacts who have the greatest number of key relationships with other music industry professionals and companies?

• Among the most important contacts, who are the easiest to find close to where you live?

• What contacts are the most approachable?

• Who are the people who you can help to solve THEIR problems and/or help them to reach their goals (thus starting to build a relationship with them)?

Is there a single “type” of music industry contact person or (company) who fits ALL the above criteria? The answer is ‘Yes’. And if you do not have music industry connections, this ‘type of contact’ may be your best place to begin… So, who is this type of person or company? Record label executives? A&R people? Producers? Publishers? Managers? Entertainment Lawyers? Famous bands? No… The answer may surprise you… it is “Concert Promoters”.

Serious concert promoters have massive power and influence in the music industry. They are the real risk takers of the music business. They deal with thousands of very important music industry people every year such as: well known bands, record labels, artist management, tour managers, entertainment lawyers, production companies, merchandising departments, the venues, booking agents, radio stations, the press, and more.

If you live near an urban area, you won’t have any trouble locating concert promoters who live and work locally (use Google). Unlike most other important music industry contacts, promoters are generally accessible and will be willing to talk to anyone who has ‘something real’ to offer them (that’s where you come in).

Generally speaking, concert promoters take on more risk than any other person or entity in the entire music industry. All promoters lose large sums of money every year (because some concerts lose money for various reasons). The successful promoters make (and keep) more money than they lose throughout the year (because they are able to promote other concerts with bigger bands which make a lot of money).

What every promoter wants is a reliable network of people to help make certain that the concerts/tours they promote make more money! Obviously, it’s expensive to employ a large team of experienced people. However, you can join their team (at least on a part time basis) if you are willing to, intern, earn a small salary or even work for free just to get your foot in the door and get the experience of working with a promoter. You may not yet know anything about promoting tours, but some promotion companies would be eager to train you if it isn’t expensive for them to do so.

Think about it from their perspective. If you were a big time promoter taking on huge risks, wouldn’t you want another person to work for you, for free or for a very low salary? Of course the answer is ‘yes’, even if that person could only work part time. If you can do that, they will remember you and relationships will start to develop.

Many musicians who want a music career are told to intern for a record label. The conventional wisdom is that when you do this, you will learn a lot about the music business. The reality is, most of these interns never get into a position where they can truly learn much at all as an intern. However working for a promoter, your ability to learn how the music industry REALLY works (at least on the touring and promotional side) goes way up because your level of access to what is going on ‘behind the scenes’ goes way up! In addition, the number of music industry contacts you can make are 200 times more than what you would likely make working at a record label. And compared to record labels, there is a lot less competition for internships or jobs with a promoter.

As excited as you may now feel, knowing that you CAN actually do this…. there is a catch… a big one. In order to have any real chance of pursuing this opportunity and using these music industry contacts to help launch your music career, you must work on having the right things in place which enable your music industry connections to feel confident enough to work with you. The truth is, nothing in this article will help you until and unless you do take this critical step.